

A documentary about Sam Peckinpah's personal director's cut of his last film The Osterman Weekend (1983); recently restored by film historian Mike Siegel. Siegel documents the discovery and acquisition of the 35mm print after 24 years of unprotected storage; outlining the process of cleaning and scanning the film as well as some assets now lost to time.
Runtime
38 min
Sound Mix
Dolby Digital, Atmos
Color
Color
Aspect Ratio
2.35 : 1
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